They're nice, photographed in situ this way. The images always seem to expand, without edges... Maybe thinking of the material in its objecthood (as with the manila file folder) will ground the experience. As opposed the more-or-less rectangular drawing paper (which can feel "automatic", or taken for granted.) In architecture terms, I bet this has something to do with "contextualization"--where the surroundings provide just those (emotional, perceptual) edges...
They're nice, photographed in situ this way. The images always seem to expand, without edges... Maybe thinking of the material in its objecthood (as with the manila file folder) will ground the experience. As opposed the more-or-less rectangular drawing paper (which can feel "automatic", or taken for granted.) In architecture terms, I bet this has something to do with "contextualization"--where the surroundings provide just those (emotional, perceptual) edges...
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